The Self Portrait

Self Portrait 16 x 20 oil on canvas

I decided to create a self portrait because I thought it would be a good painting exercise. I never imagined it would be quite so difficult. It is interesting to really try to perceive ones self as others may see us. This is not something to which I usually give a lot of thought. I have wondered why during the course of most artist's lives they only do one or two self portraits (if any at all.) Now I think I understand. I will not do another self portrait for a long while... maybe when I am seventy!

Avery the Archer

Avery 24 x 30 oil on canvas

Avery was posed holding a bow at the archery range for this portrait. Three arrows are stuck in the back stop. The back stop is a wall made up of cardboard sheets laid one on top of each other on their sides. The texture of this surface in combination with the particle board wall beside it were challenging but very fun to paint. I like the casual feel of both the the pose and the location.

The Young Artist Portrait

Young Artist 24x30 Oil on canvas

My daughter Clara loves to draw. I choose to paint her at the kitchen table with a marker in hand as I often find her. I began by taking a reference photo and then did a charcoal study drawing ( picture below.) I used an ultra smooth primed canvas. A smooth surface works better with the glazing techniques that I use. I painted a grisaille (under painting) in burnt sienna onto the canvas. I then used glazes followed by scumbling and some areas of wet on wet painting. My latest discovery that I will use on every painting hereafter is a modern Maroger medium! It is a glazing medium that adds a luminosity to the paint. I mixed a little bit in my thicker paint as well to create a paste so that the entire painting would have the same luminous appearance as the glazed areas.

reference photo and charcoal study - The final painting is slightly different. I removed some of the items on the wall and shortened Clara's hair to reflect a recent haircut.

the grisaille above was painted on the canvas in burnt sienna.

Clara's Portrait

Clara Oil on panel 11x14

Here is my second finished portrait. I worked from a photo reference for this one. It was meant to be a study for another painting. I wanted to try starting with an under painting (grisaille) in terra verte (green) like painters from the baroque period and more specifically like Manet used in Luncheon in the grass where he painted the females in green and the scenery and men in red. my grisaille is pictured below. A grissaille is essentially a value study in a single color that helps not only determine value but also composition.